Bryan Ray, Visual Effects Artist

August 27, 2010

Storm Front Title Sequence

Earlier, I posted some brush-and-ink drawings inspired by Jim Butcher’s Dresden Files novels. This is the video for which I created those images:

Storm Front title sequence from Bryan Ray on Vimeo.
For much better quality, view it on Vimeo.

Created in Maya and After Effects, with music and stock footage courtesy of Andrew Kramer of Videocopilot.net (used with permission, in accordance with the VC license agreement).

Licensed Creative Commons BY-NC-SA 3.0
Characters and title are the intellectual property of Jim Butcher, and their use here in no way represents a challenge to Mr. Butcher’s ownership thereof.

Actors’ names represent a hypothetical cast for this movie and do not indicate any endorsement of or association with this video or producer.

August 18, 2010

More Dresden Files imagery

Here’s Dresden himself:

And his silver pentacle:

I don’t recall if I mentioned it in the previous post, but these were done with a Chinese bamboo brush and black India ink. I based the drawing of Dresden on the cover art, but I don’t recall him ever being described as wearing a hat in the books. I don’t know, maybe the artist is just really nervous about painting hair.

August 17, 2010

Bob the Skull

My current Motion Graphics assignment is to make yet another title sequence. This time, it’s going to be an adaptation of Jim Butcher’s Storm Front. I’m working on a brush-and-ink on parchment style for the bulk of the piece. Here’s my illustration of Bob the Skull, Harry Dresden’s mystical advisor:

Bob the Skull

May 24, 2010

Tutorials at The Cartographers’ Guild

I am a frequent contributor to the forums at The Cartographers’ Guild. In the course of my time there, I have written several tutorials and guides. Here is a complete list:

Creating a local-scale tree texture in Photoshop
This tutorial was adapted from a technique at the Cartotalk forums, but the original was very difficult to understand. I clarified it and provided illustrations.

An Introduction to Image Export Formats
Many beginning artists have never learned the differences between the various image formats available to them and sometimes pick a final filetype that is suboptimal in terms of compression ratio or visual quality. Here, I have attempted to provide information about all of the common formats and when to use each one.

Using Channels to Separate an Object from its Background in Photoshop
I see a lot of inexperienced artists try to cut an object off of its background by painting a mask, using the pen tool, or even the eraser! This is a much easier method that aims to preserve the detail of the subject’s edges. Also, since it does not rely on hand-painting, it can be used on video footage. It is, in fact, the basis behind the process of chroma keying.

Using Photoshop’s Clone Stamp tool for better brush work
Many cartographers use brushes to put down mountains and trees, but anywhere the brush strokes overlap, the “white” parts are revealed to be transparent. The Clone Stamp tool, while not as elegant as the Brush tool, can be used to counteract this behavior.

Essential River Guidelines for Mapping
The Cartographers’ Guild has a small cadre of self-styled “River Police” who examine maps for unrealistic water behavior. This guide collects their wisdom into a single place and cross-indexes other river-related discussions.

Create an isometric medieval tower icon in Illustrator
A simple Illustrator exercise that demonstrates how to make small icons for fantasy maps.

May 7, 2010

Miscellaneous robot design

I took a mechanicals design class this evening, and during the exercises I came up with this robot design, which I quite like:

Nazca-inspired robot

Nazca-inspired robot

The head shape is inspired by the skull manipulations practiced by certain Mesoamerican tribes, specifically the Nazca, whom I have been researching for my portfolio project. I’m looking forward to finding out what the rest of this robot looks like. It may feature into the port project eventually, although I’ll have to really change up my concept in order to make it fit.

In other news, the Ai Colorado student SIGGRAPH chapter (of which I am the founding president) is looking into recording and publishing some of the workshops and tutorials taught by Art Institute students. Proceeds will go to fund AiCO SIGGRAPH activities and projects.

June 28, 2009

CATAN: Seafarers advertisement

In Digital Typography, our final project was to create a two-page spread, a poster, an ad, and a web banner. This is my ad, peddling an expansion for the board game Settlers of Catan. I took the image of the game and the body copy from the back of the box, but I reproduced all the other elements myself. I was particularly proud of this piece; it looks just like something that Mayfair Games themselves would publish.

CATAN: Seafarers

June 27, 2009

An Arabian City

Yet another environmental drawing from Perspective & Proportion. For this one, the assignment was to illustrate a particular period in history using the architecture as the primary clue about what time period the image describes. I wasn’t terribly happy with the characters in this one, but I very much enjoyed drawing the mosque. The minarets and domes of Islamic architecture are so beautiful. It was a delight just to look at the reference photos.

Pencil on cold-press illustration board.

An Arabian City during the Crusades

An Arabian City during the Crusades

Karlsborg Fastning

Another Perspective and Proportion project. We were to illustrate a castle with strict perspective. This image is based on a photograph of Karlsborg Fortress in… Sweden, I think it was. I am not sure what part of the fortress the photograph shows. I suspect it’s looking down the exterior of the Eastern Land Front wall at the corner tower, but I can’t be certain.

The image is intended to accompany a map created by an acquantaince of mine with the screenname Hoel on the Cartographers’ Guild. The map can be viewed here.

This one is all graphite pencils on cold-press illustration board.

Karlsborg Fastning

Karlsborg Fastning

An Offworld Environment

Another project for Perspective & Proportion. The assignment was to illustrate an offworld environment—something that was obviously not of Earth, whether fantasy or science-fiction. I have been exploring some steampunk motifs recently, and steampunk always seems to go hand-in-hand with airships. So I imagined these enormous towers where the airships could dock without having to get close to the ground.

Pencil sketch inked over with a fine sharpie and finished with grey Prismacolors and a little bit of white Prismacolor pencil to bring some highlights back into it.

A Fantasy Environment with Airships

A Fantasy Environment with Airships

The airships are the same design that I made for my Digital Illustration class, minus the fishing net apparatus:

The original airship image

The original airship design image

June 26, 2009

The Thundering Hordes of Hollywood Dancers

This was the first project in my Perspective & Proportions class. We were to demonstrate our understanding of overlapping perspective and diminution (things that are farther away appear to be smaller) by drawing “The Thundering Hordes of…” We saw everything from bunny rabbits to severed heads, to butcher knife-wielding bridesmaids. So here is my tribute to decades of musical cinema. I wanted to shoehorn in Arnold Schwarzeneggar and Jamie Lee Curtis doing their tango from True Lies, but I had a hard time making a good, recognizable drawing of them, so I substituted some random nameless people in their stead. I rather regret having done that now.

Sharpie and grey Prismacolor markers on cold-press illustration board. Maybe some day I’ll do a Photoshop recolor on it—red velvet curtains would look great.

The Thundering Hordes of Hollywood Dancers

The Thundering Hordes of Hollywood Dancers

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